I received this email the other day. “Oil paint is so expensive. What can I do with all the tubes of paint that I’ve bought and never used? I hate to buy more when I have all these extra tubes in my studio.”
My suggestion would be to experiment with these extra tubes and try to mix the colors that you normally use, especially the more expensive colors.
For example, here a few ways to mix an acceptable Yellow Ochre Light:
Yellow Ochre Light = White, Yellow Ochre or Raw Sienna and a bit of Yellow.
Yellow Ochre Light = White, Permanent Green Light and Permanent Rose.
Yellow Ochre Light = White, Yellow, a bit of Olive Green and Orange.
Naples Yellow = Add more White to the above mixtures.
Olive Green = Black and Yellow.
Cobalt Violet = White, Purple, a touch of Red.
Various Reds = Alizarin, Orange and/or Yellow.
Various Oranges = Permanent Rose and Yellow.
Cerulean Blue = White, Ultramarine Blue and Viridian.
The Earth Colors – Burnt Sienna, Light Red, Venetian Red and Indian Red are all variations of a Brown with varying amounts of Red. Experimentation will show you that Red and Green = Brown. By adjusting the amounts, you can easily make these colors. Add White to produce Yellow Ochre and Raw Sienna. Add a bit of Ultramarine Blue to produce Burnt Umber and more Blue to produce Raw Umber.
The list could go on………
(Note: I use the word Brown for illustration only, as we know that Brown is really the darkest form of Yellow.)
Technically you only need the three primaries, Yellow, Red and Blue, plus Black and White, to mix all colors but having tubed colors is certainly convenient, especially for Plein-Air work. But in the studio you can experiment with and slowly reduce the number of these extra tubes. The results might surprise you.
Tubed colors are evenly mixed, while your new colors, if left slightly unmixed, will be vibrant and exciting. By varying the amounts and choice of colors used, you also vary the results and you can tweak a color in a new direction if you choose. Also tubed colors vary by manufacturer so if your mixtures are a bit different it’s okay. And, who knows, as you become more comfortable with color mixing and substitution you might prefer your own mixtures to some of the ready-made colors.
Oil paints are expensive and we all have tubes of unused paint lying around. This is a good way to learn color mixing while reducing this extra inventory and save a little money in the process.
Happy painting!
Celene
www.CeleneFarris.com
Thursday, March 31, 2016
Monday, March 28, 2016
March's Virtual Paint Out - New South Wales, Australia
This month our painting group traveled (via our computers and Google Street Maps) to New South Wales, located near the south-east corner of Australia. It's a diverse region of rugged mountains, arid outbacks with opal and silver mines, rainforests, fertile valleys known for vineyards, wineries, vast sheep and cattle ranches, and a beautiful coastline of long, sandy beaches. Temperatures extremes have been recorded as low as minus 10 degrees in the winter mountains to a sizzling 120 degrees in the summer inland arid regions. Discovered by Capt. Cook in 1770, it was colonized in 1788. Covering an area of 312,528 square miles, the current population is approx. 7½ million.
I do enjoy these virtual painting trips and spend quite a few hours touring the countryside and reading a bit of the history, all from the comfort of my studio. Many thanks to artist, Bill Guffy, our travel manager, for all the hours he must spend coordinating and maintaining the Virtual Paint Out website. Thanks, Bill, I'm looking forward to next month's destination.
To see all my VPO paintings from all our destinations, please click here.
These paintings were available in my Ebay Store.
Thanks for visiting,
Celene
www.CeleneFarris.com
| Sheep Farm New South Wales, Australia, 9x12, oil SOLD |
| Cape Byron Beach New South Wales, Australia 9x12, oil SOLD |
To see all my VPO paintings from all our destinations, please click here.
These paintings were available in my Ebay Store.
Thanks for visiting,
Celene
www.CeleneFarris.com
Thursday, March 24, 2016
My Mini Pochade Box
I thought I would share this previous post since it's almost plein-air time here in Maine. We still have a bit of snow on the ground and the wind today was damp and cold, but it won't be long now.
I wanted a small box that I could easily take with me anytime I thought I would have a few minutes to paint. I keep the box ready and only need to add my colors. It's even handy to use while sitting in my car.
My dollar pencil box measuring 5x8x2½
My new mini pochade box.
This box is just the right size for two 5x7 panels. I taped wax paper on the bottom for easy clean-up and adjusted the consistency of the paint with medium when I added it to the box. A small packet of handi wipes goes in my pocket.
I brace the canvas with my thumb while painting, using the lid as my easel.
The box is deep enough to securely hold two wet 5x7 panels placed back to back and on an angle. The paint brushes can either be placed at the bottom edge of the canvas or in the box, wrapped in a bit of the handi wipes.
A perfect fit.
It closes up, nice and neat.
These inexpensive plastic boxes come in all sizes so you can easily make up a kit to suit the size canvas you prefer. It's fun to just grab the box and go without having to carry all our usual plein air gear.
Thank's for visiting. Enjoy.
Celene
Friday, March 18, 2016
Finding Your Painting Style
Last week I received an email with this question: “How can I find my own
style of painting?”
The answer is that your style will find you. You can modify
it or steer it in a certain direction, but it will always be your style, just
as your handwriting is uniquely yours.
Think back to when you first learned to write as a small
child and were struggling to copy the exact shape of each letter. The early
results were stiff and awkward. But as you continued and your thoughts went
from forming the letters, to putting the letters into words and then into
sentences, your childish efforts began to develop into what would be your adult
writing style and penmanship. As you were taught the rules of grammar, you
developed your own way of expressing your thoughts.
The painting process is the same. The early days of
struggling with shape, color and the principles of picture-making will evolve
into your own painting style.
Study the work of artists that you admire. Try to feel what
they are saying. Does their style fit your personality and how you see the
world around you? You can borrow ideas from other artists and blend them into a
style that you are willing to work toward. If you choose a style that is
contrary to your personality and personal vision, you will not be happy. Some
students copy their favorite artists. This is good for studying, but you cannot
copy another person’s style and make it your own. Every artist’s style is
particular to that person, their emotions and how they interpret their world. But
you can borrow bits and pieces.
The biggest hindrance that I have seen over the years of
teaching is the insistence of students to copy their reference source exactly
as seen. By not interpreting the scene through their senses, they are the child
dutifully copying his letters but saying nothing.
Before you begin to paint ask yourself what there is about
the subject that caught your attention. What does it say to you? Is it the
color? The light effects? The mood? This should be the reason for painting a
particular subject, not to show that you can render every detail. Copying is
easy; painting how you feel about the subject is the real test. Make changes,
be brave. Enjoy the freedom to move or eliminate objects that distract. Make
the painting yours.
And take the time to study your finished paintings. Decide
what you like and don’t like about your work. Be honest with yourself. Don’t
paint to please others. It’s always nice to have someone admire your work, but
ultimately you need to please yourself. Like the child struggling with his
letters, your painting style will slowly evolve. Just keep painting.
Happy painting!
Celenewww.CeleneFarris.com
Monday, February 29, 2016
February's Virtual Paint Out - Majorca
Traveling in February, via our computers, to the sunny Spanish island of Majorca (also called Mallorca) off the coast of Spain in the Mediterranean Sea.
This is a painting of Torre del Verger, one of many ancient watchtowers on the island. This tower, sitting at the edge of a high cliff, overlooking the Mediterranean Sea, dates back to 1579. Fires were built on a platform at the top of the tower to warn the population of invading pirates – fire by night, smoke by day.
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| Moonrise at Torre del Verger 9x12, oil |
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| This photo shows the watchtower from a different perspective. This is not a Google Street View, but I thought it was too good not to include. |
I’m enjoying the Virtual Paint Out but sometimes find it
hard to paint a particular location. The old maxim, “paint from your own
photographs” is so true.
When you paint from a photograph that you took, all your
senses are involved. You remember the sounds, sights and smells around you, the
feel of the sun or wind and your emotional response to the events of the day
and the people around you.
Painting
from someone else’s photographs, especially if you have never been there, is
emotionally limiting. I have struggled with a few locations but the adventure
continues. In March we travel to New South Wales in Australia.
To see all my VPO paintings from all our travels, please click here.
This painting is available in my Ebay Store.
Thanks for visiting,
Celene
Saturday, February 20, 2016
January's Virtual Paint Out - Scotland
It is great fun to travel to a new destination each month with The Virtual Paint Out Group and I enjoy doing a bit of research about each region and it's people. I was especially fascinated by Scotland and it's long tumultuous history. Both of the castles below date from the 13th century though fragments of vitrified stone found at these sites indicate probable occupation of these regions dating back to the 6th century.
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| Eilean Donan Castle, 6x8, oil. SOLD |
| Urquhart Castle on Loch Ness, 8x10, oil. SOLD |
| Urquhart Castle on Loch Ness, 6x8, oil. SOLD |
| Farm Scene, Scotland, 6x8, oil. SOLD |
| Urquhart Castle Overlooking Loch Ness, 6x8, oil. |
Urquhart Castle was my favorite subject and I have one painting left that is a back view of the ruins. I think I might add a hint of "Nessie", the Loch Ness Monster in the water. She is surely out there watching over these old ruins.
This last painting is available in my Ebay Store.
To see all my paintings from our Virtual Paint-Out tours, please click here.
Thank you for visiting with me.
Celene
www.CeleneFarris.com
Saturday, February 6, 2016
Jan 2016 30/30 Challenge Collage
My January 30/30 Challenge is over with 15 paintings completed. January was a busy month at our house, thankfully in a good way. Also I combined the Virtual Paint-Out Trip to Scotland with the 30/30 Challenge. The scenes that I chose to paint required more time and that is one of my excuses. I am pleased that most of these little paintings are sold. The remaining few are listed in my Ebay Store.
My Ebay Store
www.CeleneFarris.com
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| January 30/30 Challenge Paintings |
Time is always a problem. A friend told me of one great time saver, especially for us
country folks – shopping Walmart on-line. Shipping is free if you spend $50 or
more. I’m sure there are other retailers with the same offer, but Walmart works
for me. Since we are almost 40 miles from the nearest Walmart, a shopping
excursion can use up the better part of a day, not to mention the hassle and
long lines. Since I dread shopping, it is a joy to have someone else do it for me and the FedEx man deliver
it to my door. Our nearest town is Belfast, about 10 miles away, with only
one grocery store and limited general merchandise stores. Fortunately we have a
great convenience store in our little town, just two miles away. We would be
lost without Bruce.
We had a snowstorm yesterday that left us about ten inches
of new snow. I’m sitting in my studio with my laptop watching the large pine
trees in our back yard gently swaying and dropping clusters of snow. The
backfields are shining in the bright sunshine and patches of snow show on the
mountains beyond. Other than the birds at the feeder, there isn’t a sound to be
heard anywhere. My husband has cleared the driveway and dooryard and is now working on his canoe in the shop. The woodstove
is burning in the kitchen and Saturday night beans are baking in the oven. The eaves are beginning to drip in the warm
sunshine. And next week, while I’m busy in my studio, the FedEx man will
deliver my shopping to me. Life is good and I am truly thankful.
Thanks for visiting with me,
CeleneMy Ebay Store
www.CeleneFarris.com
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